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Some bands are just lucky. There are those that score a record deal the week after they form and go straight to the top of the charts before they've played their tenth gig, but they're usually flash in the pan novelty acts who find themselves out of date as quickly as they found success. It's safe to say that Snow Patrol, who toiled for a decade in obscurity before they hit the big-time, are not one of those bands. Forming as Shrug while singer and guitarist Gary Lightbody, bassist Mark Mclelland and drummer Michael Morrison were all studying together at the University of Dundee, Snow Patrol began life as just another student-led indie band. They played gigs in pubs to very few people and releasing EP's that very few people ever bought, and it took them three years to sign to their first label. Their first album “Songs For Polarbears” was released in 1998 and after all that effort, the album tanked, though the critical notices it received were unanimously positive.
This was the also the case with their second album 2001's “When It's All Over You Still Have To Clean Up” which lead to the band being dropped by their record label. A hellish period of time followed, in which the band were playing gigs to less people than they played to when they formed. It's quite safe to say that what followed is one of the most inspiring come-backs in British rock history, and it's all down to a song that, at the time of its release, was already around four years old. While the band had struggled along, Richard Smerniki, a fan of the band who had gone to university with its members had gone on to become Polydor Records' Scottish A&R rep, and his brother Paul had gone on to manage Fiction Records. Once they became aware of the band's label situation, they sent some talent scouts over to the band's Glasgow headquarters to listen to some of their demos, and they were impressed enough to sign the band to Black Lion, a subsidiary of Polydor Records.
In 2003, their album “Final Straw” was released, and after its initial release proved to be a modest word of mouth success, the release of its second single, “Run”, shot the band into the stratosphere. A top five hit on the singles chart, it propelled the album into the upper regions of the charts, peaking at number three, and set up the band as one of the hottest rock bands in the country, nearly a decade into their career. Three further hit singles from the album, along with a stint supporting U2 on their wildly successful Vertigo Tour cemented their position as the next big thing in British rock. It would take them ten years to conquer their home country, but it would only take them a further three to make them one of the biggest bands in the world thanks to their timeless hjt single “Chasing Cars”. Needless to say, the band were still an enormous deal back home, and its parent album “Eyes Open” became the biggest selling album of the year in the U.K to show that, beating out stiff competition from Arctic Monkeys and Take That in the process.
To this day, Snow Patrol remain one of the world's most beloved rock bands. They've headlined festivals, sold out arenas, supported the world's biggest bands and seem set for stadium slaying dominance in the very near future. Over twenty years into their career, they're still at the very top of their game, and they come highly recommended.
The band were formed in 2003, having met whilst studying at the Liverpool Institute of Performing Arts. Featuring Matthew Murphy (lead vocals, guitar, keyboard), Daniel Haggis (drums, percussion, backing vocals) and Tord Øverland Knudsen (bass, guitar, keyboards, backing vocals), the band quickly got to work making music, They released several Eps in their early years, including "The Hangover Sessions," "No. 3" and "The Daring Adventures of Sgt. Wimbo and His Pet Otter."
After releasing their debut, "Girls, Boys and Marsupials," in Japan only, they then released a number of singles that would bring The Wombats their first taste of success. "Backfire at the Disco" peaked at number 35 in the UK SIngles Chart, followed by "Kill the Director" which also received lots of airplay. Their debut album on 14th Floor Records, "The Wombats Proudly Present: A Guide to Love, Loss & Desperation," stormed the album charts, reaching number 11 in October 2007, bolstered by the success of singles "Let's Dance to Joy Division" and a re-release of "Moving to New York," which went to number 13 in the UK Singles Chart.
In 2008, the band embarked on a number of tours, traveling across the UK, Europe and Japan. They also became a big name on the annual festival circuit, playing at Glastonbury Festival, Reading & Leeds Festival and T in the Park.Their second album, "The Wombats Present… This Modern Glitch," appeared in 2010, featuring the top 40 single "Tokyo (Vampires & Wolves)" as well as "Techno Fan." The album itself faired well, reaching number three in the album chart.
It was three years before The Wombats returned with new music, releasing the single, "Your Body Is a Weapon," which received significant support on BBC Radio 1. To great excitement, The Wombats began a countdown till the release of their third studio album, "Glitterbug," for a January 2015 release.
What I can say about a Snow Patrol gig is that possibly the songs may be what you would expect, but the rapport with the crowd, the humour and the odd little mistake like Gary forgetting the lyrics, means that it is never truly predictable and certainly far from the band merely going through the motions.
The band exude a warmth which is projected to the audience and reciprocated. The songs are melodic, some anthemic and like "Run" (the song which first attracted me to their music), certainly get the crowd singing along.
The first time I saw them perform in the courtyard at Somerset House back in August 2004; not only was their set electrifying but so was the sky as a storm was brewing. Their secret gig at the Royal Opera House was memorable and I have followed their career and seen them progress from smaller venues like Rock City, Nottingham to the O2 Arena, London, Royal Albert Hall and headline at the V Festival.
Gary's amazing voice combined with the excellent musicians in the band, the humour and light show all add up to a great evening which stays with you for a long time afterwards.
I first got into The Wombats after perusing the Top Forty and finding their latest single 'Tokyo (Vampires and Wolves) quite high on the charts. I was intrigued by the incredible album artwork, and instantly fell in love with their alternative, punky tunes. Three months later, my parents gave me permission to go to my first concert. I instantly thought of my new favourite band, and booked tickets to go with a couple of friends to see The Wombats. Fastforward to February 22nd 2012. I saw them at the O2 Academy Brixton, a large but popular venue that never fails to provide the right atmosphere for a show. The Wombats did not fail to deliver either. They played for over two hours, and all of it was explosive. They played the entirety of 'This Modern Glitch' (complete with lasers and confetti) as well as their most popular tunes from 'Love, Loss and Desperation', ending with the classic 'Let's Dance to Joy Division." Of course, not only was there a stellar performance, but their interaction with the crowd was impeccable. With Murph constantly ordering for another 'wall of death' and Tord crowd-surfing, The Wombats do not disappoint, and most certainly is not a band to miss.