Originally comprised of frontman David Pack, bassist Joe Puerta, keyboard player Christopher North, and drummer Burleigh Drummond, Ambrosia’s earliest inspiration came from the melodic pop of The Beatles and The Beach Boys. The group was subsequently influenced by the vocal harmonies of Crosby, Stills, Nash & Young, before attending a King Crimson concert and having their musical perceptions altered greatly. Following a poorly performed audition at A&M Records, the group impressed Rubicon Management with a demo and later inked a deal with 20th Century Fox Records.
With major-label backing Ambrosia issued their eponymously-titled debut album in February 1975. Spawning the hits “Holdin’ On To Yesterday” and “Nice, Nice, Very Nice”, the latter a musical composition set to Kurt Vonnegut Jr.’s “Cat’s Cradle”, the album was subsequently nominated for the Grammy for Best Engineered Album. Produced by the extolled Alan Parsons, the group subsequently appeared on Parsons’ project album “Tales of Mystery and Imagination” in 1976. Despite its progressive nature and occasional inaccessibility, Ambrosia’s debut sold remarkably well and earned a host of favourable reviews.
Following a period of constant worldwide touring, the band returned to the studio with Alan Parsons to release their sophomore album “Somewhere I’ve Never Travelled” in September 1976. The album earned Ambrosia their second Grammy nomination and spawned the popular radio singles “Somewhere I’ve Never Travelled” and “Can’t Let A Woman”. With the success the record afforded the group, Ambrosia subsequently signed with Warner Bros. Records, later contributing the song “Magical Mystery Tour” to the musical Beatles documentary “All This and World War II”.
Taking a step back from the rich vocal arrangements and luscious orchestration, the band’s third full-length “Life Beyond L.A.” saw Ambrosia adopt R&B and jazz influences. The album spawned Ambrosia’s biggest hit to date “How Much I Feel”, reaching No. 3 on the Billboard Hot 100, with a number of other singles receiving regular radio airplay. Subsequent touring alongside Fleetwood Mac, Heart, and the Doobie Brothers did wonders for the group’s live reputation, however the release later marked the departure of keyboardist Christopher North.
In 1980 Ambrosia issued the full-length “One Eighty”, which produced two of the year’s biggest hits “Biggest Part of Me” and “You’re the Only Woman (You & I)”. Later securing three Grammy nominations, the album was toured internationally, notably with guitarist Cliff Woolley on the Japanese leg. Following the arrival of Bruce Hornsby with the departure of David Lewis, Ambrosia released their fifth full-length album “Road Island” in 1982. Despite the minor hit “How Can You Love Me” the album was a commercial disappointment and after which the group parted ways. The greatest hits compilation “Anthology” hit the shelves in 1997, three years later the group reformed with Doug Jackson permanently replacing Pack, for Ambrosia’s 30th anniversary tour.
The venue that I saw Ambrosia in was intimate and dimly lit. Not the sort of venue that I was expecting for the soft rock band, but it had obviously been carefully thought out, as it was perfect for the acoustics and lighting setup that they had chosen.
Although the band first formed in 1970, had a reasonably lengthy hiatus, and reformed with a slightly different set up of band members, their sound is still fresh and exciting. Fans dislike change, and the whispers surrounding the frequent changes of singer since David Pack’s departure vary in sincerity, but each time I’ve heard Ambrosia, they seem to have it right with their set up.
The great thing about these guys, asides from their extreme talent and dedication to the performance, is their desire to please their audience. They often work chronologically through their back catalogue of tracks, playing the old hits, combined with some of their newer tracks, and they always throw in a great cover along the way to keep everyone engaged. The lighting is always fantastic too, completing the performance value wonderfully.
One thing I would say, if you are able to see them in a smaller venue, definitely take the chance, the whole event seems very special and more relatable in this atmosphere.