Stephen Pearcy, Sebastian Bach, Slaughter, Great White, and White Lion

Born Sebastian Bierk and raised in Peterborough, Ontario, Sebastian Bach's music career began at the tender age of 14 when he joined a local hard rock band by the name of Kid Wikkid in 1983. However, that band would only last until 1985, and after they split Bierk began singing wherever he could, and in 1987, that took him to rock photographer Mark Weiss's wedding. Also attending the wedding were members of the New Jersey glam metal band Skid Row, whose singer had recently left the band. They were all impressed with the 18 year old up on stage, and shortly after the wedding, they asked Bach to join the band, which he gladly accepted. Skid Row went on to become the last truly enormous glam metal band before grunge arrived and shut it all down, with their self-titled debut album going five times Platinum within months of its release.

Of course, Skid Row wouldn't have been a true glam metal band without inner tension and pettiness, and it all came to a head in 1996, when Bach booked a show for the band opening for KISS. The other band members resented this, claiming that the band were too big to open for anyone, and the resulting arguments lead to Bach leaving the band in the same year. Ever since then, Bach has succeeded in everything he's tried his hand at, from his solo career which began in 1999, a Broadway career which began a year later in the title role of Jekyll And Hyde and a screen acting career that's seen him show up in everything from The Trailer Park Boys to Spongebob Squarepants. He's one of heavy metal's great survivors, and thirty years after his first foray into rock music, he still comes highly recommended.

Rising out of the ashes of Vinnie Vincent Invasion, members Mark Slaughter (lead vocals/rhythm guitar) and Dana Strum (bass) brought in Tim Kelly (lead guitar) and Blas Elias (drums) to form Slaughter in 1988. The band quickly got to work developing their sound, fusing catchy pop melodies with their driving metal in the hope that they could find crossover appeal between rock fans and pop fans alike.

Success was not long awaited for Slaughter, with their debut album becoming a huge breakthrough hit. Bolstered by three hit singles, “Fly to the Angels,” “Up All Night” and “Spend My Life,” the debut recording went on to be certified double-Platinum in the US. Having been requested by Orion Pictures, the band then recorded the single “Shout it Out,” which appeared in the film, “Bill and Ted’s Bogus Journey,” gaining heavy airplay and finding new fans from this exposure.

Their second effort, “The Wild Life,” appeared in 1992, achieving moderate success through the hit, “Real Love,” becoming certified Gold. Plans to return to the studio for a third album were set back by Kelly’s arrest for drug trafficking, as well as a motorcycle accident that prevented Strum from being gable to play due to his injuries. The album was finally completed in 1994 but by then it was released upon a changing musical market and the band were soon dropped from their label.

Signing to CMC Records, they returned with 1995’s “Fear No Evil,” a commercial failure in the US but the band had found a huge market in Japan. After releasing 1997’s “Revolution,” a more psychedelic affair, the band were struck with tragedy, following the sudden death of guitarist Kelly. Despite being deeply affected by the loss, Slaughter continued, releasing 199’s “Back to Reality,” which found commercial success once again through a number of successful singles.

Whilst not returning to the studio, the band have since toured extensively alongside the likes of Mötley Crüe member Vince Neil, Skid Row, Quiet Riot and Firehouse amongst others, helping to keep the hair metal fandom alive.

Great White came together thanks to the musical partnership of singer Jack Russell and guitarist Mark Kendall. Initially, Russell asked Kendall to join the band he was fronting at the time, but their creative chemistry proved so potent that they went off together to form their own band. They wrote and rehearsed together until 1979, when Russell botched a robbery he was committing and accidentally shot a live-in maid in the house he had broken into. Quite rightly, he was caught and sentenced to eight years in prison, and Kendall was left to pick up the pieces on his own. He did actually put together a band called Dante Fox, and played some shows around the Orange County area of California with them. However, Russell was released from his prison sentence after 18 months and rejoined Kendall soon afterwards.

The band played their debut show with Russell at Hollywood’s legendary Troubadour venue and after recording some demo tapes, they secured the services of Alan Niven as their manager. Niven’s first act as manager was to change the band’s name to a nickname that Kendall had picked up around the L.A rock scene. Due to his naturally platinum blonde hair, his white Fender Telecaster and his habit of wearing a white jumpsuit with matching shoes on stage, he’d been given the nickname Great White after the band’s first few gigs. The band unanimously agreed on their new name and by 1982, the band were known as Great White.

By the same year, Niven had formed Aegean, his own independent record label, and with his backing the band hit the studio to record their debut E.P “Out Of The Night”. In the end, not only did he put the record out but he also convinced the L.A Radio Station KMET to playlist a couple of songs from the E.P. They ended up playing the songs so regularly that the bands profile shot up within months, and by the end of the year they were headlining and selling out concert halls all over California. By the end of 1983 the band had signed to EMI America and their self-titled debut album was released early the following year.

The band rode out the rest of the decade as the connoisseur’s hair metal band of choice. They opened for everyone from Judas Priest, and Whitesnake to Dokken and had their 1987 album “Once Bitten…” certified platinum in April the following year. Its follow up “…Twice Shy” was an even bigger deal, achieving double platinum status within five months of its release. Ever since then the band have become one of the most fondly remembered acts of the hair metal era. They were always a little more respectable than the likes of Poison and their ilk, willing to rock out in a way that arguably made them pave the way for Guns N’ Roses. To this day both incarnations of the band that still play can blow the roof of any venue they play, and with a back catalogue like theirs, they come highly recommended.