Concert in your area for Indie & Alt, Rock, Pop, Folk & Blues, Reggae, and Jazz.
Kelly was the 6th of 9 children and spent most of his childhood in Adelaide. Though Kelly did not know right away that he wanted to be a musician, he came from a musically inclined family. His maternal grandfather was an Italian speaking Opera singer, who was the leading baritone for the La Scala Opera Company, while his grandmother was the first female symphony orchestra conductor in Australia. After Kelly finished school he developed an interest in writing poetry and short stories and managed to sustain himself by working odd jobs. However he eventually rekindled an interest in the guitar and started playing solo gigs in 1974. He moved to Melbourne in 1976 to form the R&B band the High Rise Bombers. This group did not last long at all and Kelly formed another group called Paul Kelly & the Dots.
With his new formation, Kelly started getting positive recognition almost instantly and was quickly signed to the label Mushroom Records. Through this label he released the two albums “Talk” and “Manila” before breaking up with the Dots and moving to Sydney. Kelly penned his landmark album “Post”, which was also self-funded upon his move to Sydney. With its success he renewed his contract with Mushroom Records and founded another group to support him, The Coloured Girls.
“Post” was met with overwhelming critical acclaim and was declared by Rolling Stone as the best record of 1985 as well as being championed by actor Russell Crowe. Kelly continued the trend of recording records at a fast pace. As “Post” took no longer than two weeks to record, his next album, the 24 track double album “Gossip”, took only a month to cut. This album played an integral role in introducing Kelly to an American audience, and in 1987 a revised version edited to 15 tracks was distributed by A&M Records. The album received high praise from critics and the general public, with music journalist and former The Go-Betweens member Robert Forster calling it an essential roots-rock album.
With the release of “So Much Water, So Close to Home”, Kelly would change the name of his backing band to the Messengers and would also recruit the help of Scott Litt (of R.E.M. fame) to produce it. In order to not sound redundant Kelly separated from his backing band after the release of 1991’s “Comedy”.
Kelly switched gears in the 90s and became involved in an eclectic array of endeavors including acting in and writing material for the play “Funerals and Cruises”, producing the album “Charcoal Lane” for the aboriginal musician Archie Roach, and issuing his first ever book of poetry. He also wrote the soundtrack for the movie “Everynight...Everynight” and in 1995 went on a 7 week US tour with Joe Jackson and Liz Phair.
1997 was a big year for Kelly. This year saw the release of his compilation album “Song’s From the South: Paul Kelly’s Greatest Hits”, which climbed to No. 2 on the album charts and has since went platinum 4 times. Also this was the year in which Kelly won the ARIA award for best male artist. In the late 90s Kelly formed a new band for a brief time called Professor Ratbaggy. This group featured a technological savvy sound and a bent towards dub reggae.
Throughout the 2000s Paul Kelly released albums at his standard incessant pace, putting out a total of 5 albums between 2001 and 2007. In 2012 he released the album “Spring and Fall” to great critical acclaim as well as his documentary “Paul Kelly - Stories of Me”, which traced his 40 year career. Kelly has toured extensively throughout the world and is cited as one of the largest influences on folk-pop culture to come out of Australia.
The band’s first form was as a trio, featuring keyboardist Oliver McGill, double bassist Ryan Monro and percussionist Felix Riebl. They were soon joined by trumpet player Harry James Angus, DJ Jamshid Khadiwala and Will Hull-Brown on the drums. The Cat Empire quickly made a big name for themselves on the live circuit, having started off playing at Melbourne (Australia) clubs before then playing at a number of major festivals, including Melbourne Festival, Edinburgh Festival in Scotland and WOMAD in England. Having already developed an international reputation, they released their self-titled debut album in 2003, which gained heavy airplay on BBC Radio 1.
Their second record followed in 2005, with “Two Shoes,” a huge critical and commercial success, peaking at number one in the Australian charts. Recorded in Havana, Cuba, the album displayed a strong latin-jazz influence, displaying an ever-diverse sound. It was with their 2007 release, “So Many Nights,” that Cat Empire had found their distinct style, creating an endlessly enthusiastic, party-driven record that made them one of the most exciting bands on the airwaves.
The band toured extensively in support of the record before returning to the studio for their fifth release, “Cinema,” issued in June 2010, offering a more mature, yet somewhat restrained sound. The band continued to perform at major festivals, but also embarked on a serious of intimate gigs in 2011, celebrating their 10th anniversary of their first live performance. They had also travelled extensively across North America and Europe in support of their album. In May 2013, their sixth album, “Steal the Light,” found further international critical acclaim, continuing Cat Empire’s popularity both at home and overseas.
Tonight it is all about Paul Kelly, an Australian singer songwriter who plays acoustic folk music accompanied by his guitar, and even his harmonica which sits comfortably in a harmonica holder over his shoulders. He starts with a track called “One For The Ages”. One of the things that I really like about Paul Kelly’s voice is that he sings in native Australian accent throughout this whole set. His technique is that of a folk genre and suits his songwriting down to the ground “Cold as Canada”, has a little bit more depth behind it, definitely making it one of those songs that you wonder what he was thinking when he wrote the song. It leaves a lasting impression on this small gathering in this intimate bar, where you can hear a pin drop, and the sounds of drinks being poured in the distance. He finishes with “Aches and Pains”, definitely worth buying his music if you’re into a sort of “slower moving folk music”, with insightful lyrics.
Missy Higgins is an amazing artist and I am a fan of both her pop and indie sounds. The first time I heard Missy Higgins sing she was singing her song “Katie”, the lyrics really hit home for me and I had to hear more just to see if her other songs similar in nation.
After listening to her album, The Sound of White, I realized I had to see Missy perform live. I was finally able to see Missy Higgins perform in the US after wondering if I would ever get to see this lovely Australian singer perform. The entire concert was amazing, I know that some people just want to hear the music and sometimes I am that type of person, but Missy Higgins draws you in with her conversations.
She isn’t just there to perform for the audience she is there to talk, converse, and bring you into her mind as she tells you the thoughts behind some of her songs. When I first saw Missy perform I had a feeling of unrehearsed, but in a good way, it was as if she gathered up the band and said why don’t we get together and play some tunes and invite our friends. She and her band played from the heart, from the soul, for themselves and for us, the audience. It was an amazing feeling, I felt special, honored, and as if I was part of the performance, not just someone in the audience looking in.
We've been watching the Cat Empire since their early days of free concerts at St Kilda. When we first saw Cat Empire they were playing on a stage at the back of St Kilda beach in Melbourne with the fronds of the palm trees overhead. Their lyrics were a perfect homage to a blistering summer's day with lines about the trams and St Kilda. We have now been away from Australia for nearly six years, two and half of which have ben in London. In that time we have seen four times but while they were their superb entertaining selves the concerts never recaptured the magic of those balmy Melbourne nights. Enter the summer concert series at Somerset House. Such an amazing venue for a concert with the river behind the building and the elegant Georgian facades surrounding the square making it feel like an intimate and secret space. Add a liberal dose of sunshine and heat and to complete the mix a cheery contingent of happy Aussie fans seeing their beloved Cats once more.
Families had dressed themselves and their children in Cats tee shirts, numerous cat's ears were being worn with pride, with the tongue firmly planted in the cheek and so many classic and fun tropical shirts in all colours of the rainbow boded for a great night ahead. The concert was opened by Lucinda Bell and her orchestra who performed an amazing set that got the whole crowd in foot tapping mood. Lucinda has a magnificent voice which she uses to great effect. The harp was a nice touch and added even more class to an already classy setup. And then, a short while later, out came the Cats. Opening with Still Young they had the entire crowd dancing in moments. Hands were thrown in the air with many enthusiasts singing along. By the time they got to Sly the whole place was on the move with the dancing get livelier and the energy level getting higher and higher.
And just when we thought it couldn't get to be any more fun during The Wine Song Harry suggested the crowd grab friends and others in the crowd and dance in circles like Zorba and we all willing obliged to the sight of smiles and the sounds of much laughter. By the end we were all grinning ear to ear and I think the entire crowd had made new friends. And during the madness of The Chariot we knew we had found that magic again the first drew us to this band; The Cats were back! At the end of The Chariot and encore we all walked out of our musical haven smiling with and fantastic feel good feeling.
An experience I can recommend to every-one; be sure to go to Somerset House for a concert and be sure to see the Cat Empire. Thank you Cats for bringing so much joy to all of us; see you next time you are back in London or maybe when we are back down in Australia.
For a healthy dose of beautifully sung, knee-slappingly enjoyable country blues, look no further than Australian country star Kasey Chambers. The laidback lady from the Land Down Under has been wowing crowds worldwide since her 1999 album ‘The Captain’ won her the ARIA for Best Country Album- which has since then gone Platinum seven times over in Australia. Her bluegrassy, honky-tonk approach to country music is sublimely accompanied by Chambers’ sweetly powerful voice, and when she tours it is a decidedly family-oriented affair, often playing accompanied by her father and brother, Bill and Nash Chambers, to complete the line-up of her live band. Outside of Oz, she’s also cutting hits and touring with hugely influential country stars like the eternal Emmylou Harris.
When I saw Chambers a couple of years ago in Alexandria, Virginia, she certainly cranked up the feel-good factor on songs like ‘Not Pretty Enough’ and, of course, ‘The Captain’. The crowd, a wonderful mix of young and old (families with little kids too!) were super responsive and sang along to her well-known hits, as well as a selection of countrified covers like ‘Beat It’ by Michael Jackson, and the Beegees classic, ‘Staying Alive’. All in all, a thoroughly enjoyable show- catch Kasey Chambers live when you can!