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His breakout hit "Satisfaction," released in the summer of 2003, brought Benassi to international acclaim, reaching number two in the UK singles chart, with the track's success bolstered by the Ministry of Sound's rather raunchy music video of models using power tools. Prior to the release of "Satisfaction," Benassi had already achieved a number one in the UK club charts with his 2001 song "I Feel So Fine," released under the moniker KMC. His debut album, "Hypnotica" was widely received, winning the European Border Breakers award at the end of 2004, selling the most albums outside of his home country of Italy.
As well as his solo releases, Benassi has collaborated with a number of artists also throughout his career. Together with vocalists Paul French and Violeta, who are known collectively as The Biz, and alongside his cousin Alle, they have produced records under the name of Benassi Bros. The project put the spotlight on the two vocalists, as well as other guest singers, releasing the album "Pumphonia" and "…Phobia" to moderate success.
Benny Benassi's main forte is creating quality remixes of his contemporaries, with artists as diverse as OutKast, Goldfrapp and Felix da Housecat all getting the Benassi treatment. Benassi's remix of Public Enemy's classic track "Bring The Noise" was such a success it even won him a Grammy Award for the Best Remix (dance) in 2008. As well as his Grammy Award, Benassi has received many accolades and is consistently voted in the top 100 of DJ mag's list of Top 100 DJs, voted number 27 in 2011.
As well as producing his own music, Benassi also founded the record label, Pump-Kin Music, which focuses on releasing the work lesser known DJs and producers in order to aid their exposure worldwide.
Benassi has lent his production talent to established artists including Madonna, producing three tracks for her "MDNA" album. "Beautiful People" on Chris Brown's 2011 album "Fame" was also produced by Benassi. His 2010 song "Spaceship," featuring Kelis was another successful collaboration, reaching number 18 in the UK Dance singles chart.
Alexander Ridha started producing and DJing at a young age. He supported Felix Da Housecat and DJ Hell under his previous pseudonym, Kid Alex. He was awarded the Independent Music Award in 2010 as well as the Best Electronic Artist award on Beatport for three consecutive years. His sound is unique and different, crossing over hip-hop with disco, as well as house.
It was in 2004 that Ridha released his first EP entitled “The Bomb/Boy New” under International Deejay Gigolo Records but shortly after, decided in later releases to maintain his freedom and establish his own label in 2005. He released his first full-length studio album, “Oi Oi Oi” in September 2007, and his sophomore album entitled “Power” between October 1st and October 17th 2009 in various countries from Japan to the UK, Belgium to the USA and Canada.
He was always gaining the attention of artists and new fans, building up his following over time, especially from remixes of works by David Lynch, N.E.R.D, Depeche Mode, Snoop Dogg, Daft Punk and more. He also had the opportunity to work with Kelis, Kano, The Black Eyed Peas and BIGBANG. It was his third studio album; “Out of the Black” released on October 16th 2012 that featured international superstar Snoop Dogg on the track “Got It”.
He broadened his horizons further embarking on a collaborative project with New York band, Scissor Sisters. He also formed a side project with Skrillex called Dog Blood. They performed at the 2013 Miami Ultra Music Festival.
In 2014, he did a composition for a German movie called Who Am I – No System Is Safe. He also released a remix album of “Out of the Black”.
Marc Cerrone is undoubtedly one of the world's most influential disco producers and musicians. The French musician changed the stylistic appearance of the genre during his heyday in the 70s and 80s and had massive effects across the majority of Europe. Following on from the perfect album 'Supernature' he began to craft impressive and ornate concert tours that were billed as real experiences and drew fans from far and wide.
Now in his 60s, the artist continues to tour the globe with equally enthralling live performances of vast stature and intriguing visual display. Joined onstage by a variety of musicians and vocalists, his latest stop off at the Montreux Jazz Festival included a guest appearance from Elly Jackson from La Roux on his infamous track 'Supernature'. Glitter and sparks light up the backdrop behind the musicians as they create the tropical disco vibes of Cerrone's discography. He truly is a master of his craft and a forefather of the genre of euro disco. He has left a visible mark on the scene which will remain long after he hangs up his drum sticks.
One of the undisputed kings of house music, Benny Benassi live is an incredible rave experience you won’t ever forget (or, may not remember at all, depending how good your night is). Either way, whether you're an old-school raver or new to the electronic music wave, you're in for a treat with Benny Benassi. The Italian DJ, having dominated the charts in 2001 with his hit 'I Feel So Fine', and a year later on a global scale with the huuuge track 'Satisfaction', sealed his place as a maestro of floor-fillers. As long-time fans will know, Benassi's live shows are still always packed out, dance-all-night adventures, and an exhilaratingly energetic live experience. His original, fresh blend of heart palpitation-inducing bass and heavy thunderous drums, punctuated by loud electro twang and his shouts out to the crowd, culminate in an epically huge-sounding, ravingly good show.
When I saw Benny Benassi at the Electric Brixton, London, after the crowd warming up (i.e. everyone becoming a huge sweaty dancing mess) to the opening acts, Benassi's hour-long set was the icing on the cake for a venue filled with energetic, glow-stick waving party veterans. The light show and unrelenting dry-ice blasts added to the crazy, electrifying atmosphere, and guaranteed that no one left the venue before the wee hours. If you;re after an excellent party, don't miss Benny Benassi!
Joris Delacroix is such a talented musician who is originally from France who started playing piano when he was 4 years old. He grew up surrounded by music and decided one day to transfer all of his skills and focus his energy on electronic dance music. When you listen to his music, it is no surprise that his classical roots and counter melodies are such a predominant force behind his music. He performs a set this evening playing some of his biggest songs to date, such as “air France” and “Maeva”. I’ve got to say that I was absolutely blown away at the beginning of this set with the piano being such a prominent part of the music, playing such traditional French music sounds that have been so well transferred to this genre of music, it is definitely something that I look out for in music, when genres so far away from EDM get transferred into the mix, creating a four dimensional atmosphere JD is definitely an artist who has made this work!
It may be a cliché, but it's true- Germany loves techno, electronica, and really any kind of dance music. It's no surprise then, that it's also the birthplace of explosive house music maestro Alexander Ridha, aka Boys Noize- the talented producer/ DJ/ mixing genius who's been lighting up the scene since 2005.
Seeing Boys Noize live is an experience you won’t ever forget. While the multi-talented dance guru has remixed songs by big names such as N.E.R.D, Snoop Dogg and Daft Punk in his DJ sets, when he performs his live show, it is largely comprised of his own music, such as the blast-beating 'Oi Oi Oi', released with full artistic freedom on his own imprint, BoysNoize Records.
Electronic dance music fans will know that Boys Noize shows are always fresh, electrifiyingly bass-laden, and an exhilaratingly unique rave experience. Boys Noize continues to tour frequently, and it's no surprise that his banging blend of synth, awesomely obscure sampling and arm-waving choruses make him a summer festival favourite.
When I saw Boys Noize at the Berlin Festival in 2011, he certainly lived up to his reputation and the expectations of the gigantic crowd of fans. The searing, frenetic beats and intensely heavy bass of the close-to-two-hour set left the pumped-up crowd elated, and screaming for more after the curtain fell. If you're planning on dancing your socks off at a festival this summer, don't miss Boys Noize!