The Original Lakeside

Had to be there to experience this awesome old school Funk experience. Awesome!! The crowd was lit. Brick and the Ohio Players were great, but The Original Lakeside Showed up and Showed Out.

Poncho Sanchez is one of the most rhythmically exciting and innovative artists in the modern world, with his music being highly influential amongst conga players and percussionists in the Afro-Cuban jazz scene. His talents haven't gone unnoticed, with his ensemble being awarded with a Grammy for "Best Latin Jazz Album" for "Latin Soul." His performance at Montreux jazz festival was something immensely special, laying down some delectable latin grooves that are desperate for a plethora of tail feathers to be shaken wildly in appreciation of his eclectic tunes. He began with "One Mint Julep," providing his large band complete with several horns and percussionists to settle into the latin funk and get the crowd moving. "El Shing-A-Ling" was a driving samba rhythm that was infectious, finding my feet uncontrollably moving in a poorly attempted salsa shuffle. Highlight was "Conmigo" with its frantically melodic flute solo alongside the fast-paced bossa-nova swing. And then "Watermelon" came in to finish with a really heavy, slow funk that brought many a hip into gyration. Poncho Sanchez and his band are incredible live performers and thoroughly entertaining to watch and listen to. Their music is so laden with danceable rhythms and grooves that their music is just pure fun to hear, being one of the best bands in Afo-Cuban jazz.

Jarrod was amazing I really enjoyed it
The other young lady was also great
It was money well spent
There is just only one think
He didn't sing my favourite song from the album

NEEDED!!!!!!!

It's so special to see pure talent beginning to blossom and luckily I am barely in the Islington Assembly Halls when Anoushka Lucas takes her spot in the support slot. It is a real treat as she offers a unique sound and a number of self penned songs including 'Brixton Hill'. Despite initial shyness it is clear that the audience have warmed to her and she has done her job very well by the close of her set. I am ready for Avery. Having seen and reviewed Ms Sunshine twice before I feel confident that she will deliver. I am ready to be entertained and she is more than able to satisfy. The whole gig drips of quality, truth and oozes with pure soul. This gig is the first time that the songs from the new cd 'the Sunroom' get the full band treatment as well as the classic favourites from the first cd. Tonight between snippets of Anita, Gladys, Maroon 5 and the acoustic Luretha Jackson medley encore we get Avery and that is so damn good that at times I find it hard to control myself. I am swept away in her Sunshine movement. She makes me smile in the knowledge that reminiscence is a beautiful thing when she sings 'Pining' and I really don't care who knows it! Each song showcases the most amazing vocal performance that I have witnessed since she was last here....but tonight Avery moves way beyond that first time and is even more accomplished. I am happy to hear that she is in Love and this shines through when she moves to the Grand Piano and tells us what this means on 'Nothing into Something' and 'Call My Name'. It reminds me of her support slot for Anthony David at the Jazz Cafe a few years back and her rendition of 'Ugly Part of Me'. I often watch that on You Tube as I was there and it shone as a moment with a truly sincere, soulful storyteller. Tonight the whole gig was chock full of moments. I really do not think I could have whooped harder or louder. She is outstanding on 'Safe in His Arms'; 'See You When I Get There' is wonderfully accepting of each persons different journey in this big old world and beautifully served with relish. An evening in the company of a truly beautiful, genuine star that shines like Ms Sunshine is a happening that all of London needs to experience. Even as I write this it is with pure tears of joy.....happiness....optimism....love....love....love...'Won't You Try Love'....thanks Avery xx.

Excellent show if you come close to Dayton again I would travel to see the show. Everybody I talked to Loved the show and had a Great time. When is the next time lakeside will be touring in this area?

I’m a lover of the English language and am a firm believer of using correct words most of the time when I’m engaged in conversation. What I’m trying to say is, I’m not a huge fan of slang. I don’t keep up with the most recent vernacular (especially in hip hop) and am usually the one in the group asking what skeet, skeet means. Yes, I’m often that clueless person in the group. If there is a slang word I happen to like, I tend to use it way more than I probably should. My favorite of the moment is HAM, as in “hot ass mess” (or, if you are a fan of Kanye West and Jay Z, it also means hard as a muth*****). HAM is the best way for me to describe the Jon B. show I witnessed Aug. 26, 2012. I won’t even discuss the venue (The Roxy Theatre in Denver, CO). I should have known this was going to be HAM when I received a raffle ticket as my entry to the concert. Complete HAM on that, especially since I save all my concert stubs and they had the nerve to charge a service fee! My second indication this would not be an ordinary show? The opening act. Dre Lane threw out T-shirts throughout the course of his set, but I wonder if it was to distract from his lack of originality and talent. I won’t knock him for trying, but you have to have more unique content than a song about haters, or doing a song originally sung by Tyrese and then asking the audience if they were feeling it. I would if Tyrese was up there. When Jon B. finally emerged, there was a keyboard on stage, so I’m thinking, okay, he’ll play the keys and sing. He played the keys alright, just at the wrong time. I didn’t mind that he sang along to the instrumental tracks because he sounded damn good, but what I didn’t understand was why he was responsible for starting and stopping each track. Isn’t this what you pay a DJ for? Jon B. would jump on the keys at the end of some songs, problem was, his playing didn't match up well with the still running track. It became sort of a distraction, as did the random people who walked on stage during his performance. HAM all the way around! I must disclose that my sister is more of a Jon B. fan than I am; therefore she knew the songs he sang, whereas there were three I recognized – Don’t Talk, They Don’t Know and Are You Still Down?. I really was there to keep her company.