Formerly of the band the Eliminators, guitarist Vinnie Stigma (Vinnie Capuccio) formed Agnostic Front, originally under the moniker Zoo Crew, alongside outspoken and politically direct vocalist Roger Miret, bassist Adam Moochie, and drummer Ray Beez. The group released their first record, the “United Blood” EP in 1983, followed a year later by the decade-defining album “Victim of Pain”. The album was a voice of a generation lost in the burgeoning debt and crime of early ’80’s New York City. The release also marked the arrival of bassist Rob Kabula and drummer Jimmy Colletti, and saw Agnostic Front take the reins of the hardcore punk movement showcased at the likes of Lower East Side’s A7 and CBGB’s.
With the rise in popularity in heavy metal, Agnostic Front, mired by the tumultuous relationship of Miret and Stigma, began to establish themselves as a cross over between hardcore punk and thrash metal. The band signed with Combat Records and issued “Cause for Alarm” in 1986, since hailed as one of a few early holy-grails of crossover thrash, alongside D.R.I. and Corrosion of Conformity.
In an attempt to please original fans, with an entirely new backup of musicians including guitarist Steve Martin, bassist Alan Peters and drummer Will Shepler, the band ridded itself of its previous metal-style drumming. “Liberty & Justice For…” arrived in 1987 to a hardcore punk genre that had fractioned off into various sub-genres, leading to gigs turning into sub-culture turf wars. Agnostic Front released the live album “Live at CBGB’s” in 1989, which featured many fan favourites in the band’s most effective and direct form.
After the release, Roger Miret was arrested and sentenced to just-under two years in prison on serious drug charges and Stigma, with guitarist Matt Henderson and temporary singer Alan Peters, embarked on their first European tour. The comeback album “One Voice”, based on Miret’s lyrics from inside prison, found no audience, and following a greatest hits album “To Be Continued” and a farewell concert in 1993, the band called it quits.
In 1997 however, with interest from respected punk label Epitaph Records, Agnostic Front, consisting of Stigma, Miret, Rob Kabula and Jimmy Colletti recorded and released “Something’s Gotta Give” in 1998. This was followed a year later by the album “Riot, Riot Upstart” with guest appearances from M.O.D.’s Billy Milano and Rancid’s Lars Frederiksen. Un-phased by the lack of a hardcore punk scene, the band continued to perform and record, producing the albums “Dead Yuppies” in 2001, “Working Class Heroes” in 2003, “Another Voice” in 2005, and “My Life My Way” in 2011.
Das Konzert in der relativ vollen Sporthalle Hamburg war von Anfang bis Ende perfekt.
Die Stimmung war ausgelassen, sogar bei der meiner Meinung nach bescheidenen Vorband schon.
Die Broilers haben 2,5 Stunden abgerockt und die Halle zum Beben gebracht. Musikalisch war das einfach genial!
Wer auf gute Stimmung, sehr gute Musik, nette Menschen und die ein oder andere Bierdusche steht, ist hier mehr als richtig!!
Mein zweites Donots Konzert. Der Schlachthof ist ein super Setting & die Menge ist immer gut drauf! Spontanes Publikum & die Band hat mal wieder super live Musik abgeliefert :)
I saw Agnostic Front, the punk and thrash band, live in New York in 2004. They were loud, hard, heavy, and never let up on the intensity of the music. The guitar riffs were fast. The drum beats were heavy. The lyrics were loud. Everything was fast, loud, and intense in a way that you simply do not get with punk music very often any more.
They yelled into their microphones and the lyrics didn't even matter. The audience was intense that night. They were not to be meddled with. They gave it their all.The audience almost immediately formed a mosh pit. They all thrashed around and jumped into the crowd and celebrated being alive in the way that only a good thrash or punk show can make you feel.
As people crowd surfed and bounced up and down bumping into each other and giving it their all in enjoying the intensity of the music, it became clear that this was no joke.
If you weren't serious about violently, loudly enjoying the show and thrashing you had best leave. We all thrashed harder than we ever thrashed before, or probably since. That night was intense, fun, and about as hardcore as it gets.