Für Fans von: R&B, Hip-Hop, Pop, Indie & Alternative, Elektronisch, Rock, und Funk & Soul.
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Miguel Pimentel grew up surrounded by music. Even after his parents split when he was eight, he was still very much in thrall to the classic rhythm and blues that his mother coveted, and his father’s more diverse tastes in hip-hop, funk and jazz. Needless to say it rubbed off on the young Pimentel, who at the age of five wanted to be a dancer but changed his aspirations at 13. The very next year he began writing songs and developing them on an old four-track recorder that he borrowed from his uncle, and before he’d even finished high school he’d struck up a friendship with a member of a local production team called the Drop Squad.
By the time he was 15, Pimentel had signed a deal with the Drop Squad to produce his records, and over the next four years the two began making music and releasing it onto the internet. This paid off in 2004 when he signed a record deal with the independent record label Black Ice. He spent two years making his debut record but it was shelved mere months before release, a single and a video for “Getcha Hands Up” was released but even at 21 years old Pimentel was a savvy guy. He had already moved on from the sound that he’d developed with the label and walked away from his deal to find somewhere he could develop artistically.
Turns out this was the best idea he could have at the time, but it still took a year before anything else started happening. Near the end of that year, Pimentel’s manager submitted an album’s worth of songs to Mark Pitts, the man who would eventually become president of Urban music at RCA Records. Pitts was impressed and called a meeting with Pimentel in October of 2007, The following month, he had a record deal with Jive Records and almost immediately afterwards, he began work on his debut record “All I Want Is You”. Pimentel strengthened his profile by working with Usher and Asher Roth but Black Ice Records managed to delay the release of his album by a couple of years, suing him for breach of contract.
As if that wasn’t enough Jive Records was in the process of going under when the album was released in November 2010, and the album tanked due to lack of promotion. At least initially, it did. However its title track started to get steady radio airplay and that, combined with opening for both Trey Songz and Usher, made the album into a sleeper hit, ultimately spending 45 weeks on the Billboard Album chart and selling over 400’000 copies in the U.S alone. Jive Records was finally shut down and absorbed by RCA Records in 2012, and with Pitts the head of urban music, Pimentel signed with RCA and in October, released his first bona-fide hit album.
His second effort “Kaleidoscope Dream” went straight in at number three and he had his first top twenty hit on the Billboard Hot 100 in the form of its lead single “Adorn”. Pimentel was finally a legitimate pop star, and ever since then his star has just risen and risen, leading to sold out concerts all over the world and a million selling collaboration with the one and only Mariah Carey in the form of “#Beautiful”. Clearly, this is an artist who could quite easily achieve greatness in the very near future, he’s at the peak of his powers and we’re lucky enough to watch it unfold in real time. Highly recommended.
Starting life in the Dominican Republic Lewis Jr. was raised in Florida and his earliest exposure to music was signing in his church choir. Shortly after he started listening to Bob Dylan, Boyz II Men, Bobby Brown and The Beatles from which his inspiration for making music blossomed and in 2000 he moved to Boston, Massachusetts, U.S.
With his band punk band Mad Man Films, alongside fellow musicians Joseph Ciampini on drums and Zak Longo on bass, the band made two independent releases that remained relatively under the radar. As well as this he created compositions for touring dance and theatre productions. Although not satisfied with this output Lewis Jr. moved to Bushwick, Brooklyn, U.S., and started his Twin Shadow project.
Twin Shadow’s debut album “Forget” was released November 15, 2010 and was notably produced by Grizzly Bear’s Chris Taylor in Brooklyn, New York. The album received positive reviews across the board with Pitchfork Media rating it an impressive 8.4 and placed it at No. 26 on their “Top 50 Albums of 2010”. The sound of the album has been identified as chillwave, featuring the closeness and personal touch of early R&B with the synth inspired textures and tones of 80’s new wave, along with well-thought out lyrics.
2012’s follow-up album title “Confess” was received with much the same critical acclaim as his first. Self-produced this time, the album focuses on the reality of Lewis Jr.’s life, a motorcycle accident he was involved in in Boston, U.S., his changing relationships, and features a strong focus on the present, with a more pop-inspired groove than “Forget”
The success of his albums has seen the musician on the international festival circuit including sets at Coachella, Sasquatch, Primavera, Bonnaroo and perform on shows such as Late Night with Jimmy Fallon and Conan.
Miguel is a great live singer and knows how to woo the crowd. He music is so amazing I almost didn't want to leave the concert when it was over. He skills goes far beyond just music, he's a songwriter and producer, showing he can really do it all.
I felt so lively in his concert it made me feel the best I have felt is some time. I truly loved every minute of his performance. He's totally professional and gives you exactly what you came and paid for. You will not be disappointed seeing him live.
The concert was great and I know good music when I hear it and this is where it is at. I kept screaming I love you Miguel although I know he couldn't hear my it seemed like it was only him and I in the venue and he was personally singing to me. I love him and his stylish ways I didn't want the concert to end.
I really love this man if I could I would ask him to marry me and I would always sit front row to be in awe of him. I have plans to actually see him again in another city.
George Lewis Jr., a.k.a. Twin Shadow, is well renowned for presenting his drenched in 80’s style of music, but he manages to create his own interpretation of the style of music that has influenced him rather than replicating it.
Twin Shadow tours with a very competent and talented backing band consisting of a drummer, bass player, and keyboard player. When performing live Twin Shadow conveys intense energy. The bass playing is jumping all over the fret board with the kind of punch you would expect to hear from such new wave bands as Duran Duran or New Order. George Lewis’ electric guitar is saturated in dense chorus effects, which helps present a shimmering style of guitar playing through his sparkling riffs. The band’s dynamic chemistry is perfect. The bass line is grooving to the rhythm, while the guitar is played in an angular style bouncing off the rhythm in a ping-pong type fashion to the sound of the lead synth. Although the musical instrumentation creates a powerful sound, George Lewis’s vocals are the driving force behind the music that really gives the sound its strength.
The band is always full of energy when they play live. They are grooving out to the music and dancing back and forth on stage to the rhythm. George gets really excited when breaking out into a guitar solo by bending his head back and entrancing himself into the music somewhat similar to something Prince would do. Bright colorful lights wash over the stage and flash rapidly to the intense parts of the songs allowing the theatrics to help enhance their amazing performance.
The crowd is sure to have a great time at a Twin Shadow performance dancing to the 80’s inspired music that is re-created through such great songs as “Forget” and “Patient”.