At a young age he began listening to some of the best electronic music composers such as Jean Michel Jarre, who had a significant influence on him. Armin van Buuren started to make music at the tender age of 14 after being inspired through listening to mix tapes and by the age of 19 he had already achieved success with the song “Blue Fear”, which was released under Cyber Records.
In the late ‘90s Armin van Buuren’s strong work ethic had him performing multiple nights per week as a DJ at club Nexus in Leiden, Netherlands where he really gained his chops as a performer. He soon began to break into the mainstream when his name made the list in the Top-100 of DJ Magazine. After this he began touring regularly across the country and made appearances at some of the top clubs in Europe such as Passion, Gatecrasher, and Godskitchen.
After the release of several compilation albums that featured his house and trance remixes, he released his debut album “76” in 2003. In this same year his name had escalated up the list to the No. 3 spot for the best DJ in the DJ Magazine and stayed at this rank for the next two years. By 2007 he finally reached the No. 1 spot on DJ Magazine’s list and was headlining huge festivals.
Armin van Buuren is a very prolific musician, who has released loads of remixes and singles. His 2013 album “Intense” achieved him success both commercially and critically. The album reached the No. 2 spot on the Billboard US Dance/Electronic Albums chart and received a Grammy nomination for the hit single “This is What it Feels Like”. The album was produced in the most crystal clear manner possible and contained elements of trance, house, dubstep, and classical music.
Being one of the well-respected DJs around, Armin van Buuren has been known to pull in large crowds and constantly sell out his tour dates. His concerts are packed full of excitement and have been known to go on for long periods of time. During one show at the Dancetheater in The Hague, Netherlands he played a record breaking 12 and half-hour set. Armin van Buuren has played to incredibly large crowds such as a packed out crowd at the Ultra Music Festival and to a crowd of 200,000 people at the Museumplein in Amsterdam when he was honoring the Dutch soccer team.
When Armin van Buuren is not writing new music or performing it you can hear him on his radio show “A State of Trance” where he plays the newest trance music out there. Armin van Buuren’s resume is a testament to the caliber of his music. He continues to sell out large amounts of shows and holds the record for most entries on the Billboard Dance/Electronic Albums chart in the US.
As the son of a DJ, Tiga has always been around electronic music, touring with his father around Goa, India, in the 80s. Beginning to DJ in Canada in the 90s, Tiga saw that there was little to offer in regards to the rave scene, deciding to take matters in his own hands and organized his own parties, taking credit as one of the first people to throw Canada’s first proper rave. Tiga took things further, starting the techno-oriented record store, DNA, as wells the Turbo label, along with DJ Mark Dillon.
It was not until the 2000s that Tiga began to produce his own music, releasing the successful mixtapes, “American Gigolo” and “Mixed Emotions.” He also found a hit with his collaboration with Jori Hulkkonen, on a reinterpretation of Corey Hart’s “Sunglasses at Night,” as the duo, Tiga & Zyntherius, reaching number 23 on the UK Singles Chart. Tiga continued with his remixes and relentless touring, helping to keep him at the top of his game. A successful contribution to the K7 series of mixes, DJ Kicks, came out in 2003, making a big contribution to the current trends in the scene.
In 2006, Tiga released his debut album, "Sexor," which went on to win at the 2007 Juno Awards for 'Dance Recording of the Year.' "Ciao!" followed in 2009, again released to critical and commercial success, from both the underground and mainstream press. Tiga's duo with German techno producer, Zombie Nation, ZZT, released their debut record, "Party's Over Earth" in 2011, helping to expand Tiga's output. A new mix, "Tiga Non-Stop" followed in 2012, premiering his new single, "Plush," to great fanfare. As well as his solo output, Tiga is also the host of the popular BBC 6 Music show, "My Name is Tiga," to which he plays the hottest tracks in electronic music.
Armin...what can I say? nominated as best DJ in the word numerous times, played at best venues in the whole world, talented, enthusiastic, gives it his all! and not to mention so romantically cute: married to his girlfriend from school years who he says inspires him! How can you not adore him? Last year, whilst at Tomorrowland festival 2013, one of the best experiences in my life, he went on stage, just as it started to rain, people absolutely ecstatic to see him live and obviously not caring about any storm; he started crying and apologized for being late on stage as he just got back from hospital, where his son was born. And then he dedicates his new song to his newborn son and the crowd joins in this intimate moment shared with their idol. Being part of this, of this atmosphere, of this music that unites all nations, is simply an incredible experience... unforgettable
Kathleen Fisher is wearing a flowing black dress. Her hair looks like it’s been dipped in polyurethane strand by strand, set to dry and given an acetate finish. It’s so black and glossy it seems to radiate its own light. She’s flanked by her faithful piano counterpart, Ron Wasserman, who writes the songs, which they perform under the collective identity (also can be called ‘band’), Fisher.
Wasserman is in fact famous for composing the Power Rangers theme tune, ‘Go Go Power Rangers’. Fisher’s music is more low key than that explosive hit. Wasserman’s sort of the understated creative agent, whereas Fisher is the heroine with the knock-out voice. Together they make as great a team as Jack Spratt and his wife.
They were also one of the most prescient bands to utilise the Net as a means of distribution, being named one of the biggest internet bands by Time Magazine way back in 2000. They hit number 36 in the Billboard Adult Top 40 chart with ‘I Will Love You’. At the time it was the most downloaded song in history.
But the most phenomenal thing is Fisher’s voice. It is the kind of voice that has a physical presence that you can almost feel brushing past you.
Elderbrook was amazing!!! Music was awesome, with really nice graphics. Classy and really well put together performance. The act previous were really good too. One thing to improve the toilets in the venue
I've been obsessed from the second I walked into her dark bassey beats opening for Kill The Noise at Output months back|| REZZ is EVERYTHING && will continue to conquer the world.
Canadian DJ-producer Tiga (real name: Tiga James Sontag) has messed around with almost every subgenre of electronic dance music, but he’s perhaps best known for his work in electro. He’s been in the game a long time; long before electro, electro house, etc, had filtered into the mainstream. I held some of his early productions in the same high regard and some of the first Justice tracks, and his mix compilations in the early noughties were some of the best from that time, as were his remixes. Of course Tiga is an acclaimed and renowned performing DJ, but it’s always surprised me that he hasn’t had more mainstream recognition. Perhaps the semi-underground space that he inhabits suits him better. I first saw Tiga perform at XOYO in 2011. It was the first time I had ever been to the East End underground basement; this was before the refurb, so it was even dingier than it is now. This dark, gritty space was the perfect setting for his underground club music. Tiga’s set was more up-tempo and bass-y than usual; there was little in the way of vocal samples and points of it shunned melody all together in favour of harder techno beats. Of course, it was the funky electro cuts that got the best reception, but on this night Tiga proved that he was adept at toying with plenty of other genres. As a sidenote: upstairs in the completely empty bar area, Pariah and Blawan smashed out wicked sets, literally just before they blew up. Great night.