The band formed in 1998 and apart from Matt Pike it consisted of drummer Des Kensel and bassist George Rice. The members were strongly influenced by thrash artists like Slayer as well as doom metal bands such as Napalm Death, Obituary, Venom, and Black Sabbath. High on Fire took the mystical themes prevalent in Sleep’s music, but adapted them to a harsher and more heavy tonal style. The group released their studio debut album “The Art of Self Defense” in 2000 through Man’s Ruin Records. Southern Lords reissued the album in 2012 and included the Celtic Forest cover “The Usurper”.
The group’s sophomore album “Surrounded by Thieves” came out in 2002 through Relapse Records. Though their 1st album received high acclaim “Surrounded by Thieves” was considered a drastic improvement and is often recognized as one of the best metal albums of 2002. The song “Hung, Drawn and Quartered” was used to promote the LPs release and was included on a 7” split with Mastodon’s “March of the Fire Ants”. Bassist George Rice left the band after it’s release and was later replaced by ex-Melvin’s member Joe Preston.
Preston only appeared on the band’s 3rd album “Blessed Black Wings” before being replaced by Jeff Matz. Their 4th studio album hit the record stores in September 2007 and was declared a critical success upon release. Like its predecessor it featured lyrics inspired by the writings of H.P. Lovecraft and additionally referenced the works of David Icke and the Bible. The group toured extensively through 2007 and 2008 in support of this album and played alongside artists like Mono, Panthers, Opeth, Baroness, and Nachtmystium. By the end of 2008 High on Fire signed a recording contract with Kosh Records and in the fall of 2009 they embarked on yet another tour (this time with Mastodon, Dethlok, and Converge).
In early 2010 the band put out their 5th studio album “Snakes for the Divine”, which was produced by acclaimed sound engineer Greg Fidelman (Black Sabbath, Metallica, System of a Down etc...). This year also saw the band opening for Metallica for several of their shows in Europe. Their 6th studio album “De Vermis Mysteriis” came out on 3 April 2012. It is considered a time travel concept album and closely resembles the narrative of the TV show “Quantum Leap” though not intentionally.
Featuring the members Hank Von Helvete (lead vocals), Euroboy (lead guitar), Happy Tim (bassist), Rune Rebellion (rhythm guitar), Pål Pot Pamparius (keyboards/percussion) and Chris Summers (drums), Turbonegro slowly built up steam throughout the 90s, finding success and global popularity in the latter half of the decade, garnering a strong cult following. They had released four albums prior but it was 1998’s “Apocalypse Dudes,” released on Virgin Records, that brought Turbonegro a large audience, peaking at number 20 in the Norwegian charts. Their blend of 70s US punk and rock & roll found fans across Europe and the US, with Turbonegro embarking on an extensive touring schedule in support of the album, playing sold-out shows across the continent.
However, with their hedonistic lifestyle and volatility, fractures in the group began to emerge, hampered also by drug addiction. The band decided to go on a hiatus in 1999, releasing a posthumous live album, “Darkness Forever!” as a celebration of their wild career. However, Turbonegro were to return in 2002, finding still, a loyal following and huge interest in the band.
They signed a new record contract with Burning Heart Records and embarked on a US tour in 2003, reigniting interest in the band. They released a new album that same year, titled “Scandinavian Leather,” which charted well in several European countries. This as followed by 2005’s “Party Animals” and “Retox” in 2007, continuing to place in the top 50 in several countries. In 2011, Turbonegro parted ways with drummer Summers and frontman Von Helmet, recruiting Tony Sylvester and Tommy Akerholdt in their place. Their ninth album, “Sexual Harassment,” was released in 2012.
The band began in 1990, with the members brought together by their shared love of punk, whose popularity had begun to decline after hair metal, synth pop and new wave began to top the charts. The band’s lineup has seen constant changes throughout their career, with Jorge Herrera being the only long lasting member. It was not until 1991 that the band managed to stabilise enough to record their first EP, “40 Ounce Casualty.”
After this release, The Casualties toured heavily, building a loyal following in their hometown of NYC, US. Further lineup changes occurred and it was another three years, in 1994, that the band were to release another record, their second EP, “Drinking Is Our Way of Life.” This EP never saw a formal release but it was incorporated into their retrospective “Early Years: 1990-1995” which came out in 1999.
In 1996, they travelled to London, UK to perform at the Sun Festival. From here they started to build fans in the UK, expanding their fan base. In 1997, their debut full-length, “For The Punx” was released, followed by an extensive tour in support, opening for the band, The Varukers.
The Casualties constantly toured throughout the next decade, travelling all across the US and Europe. In 2000 and 2001, they released the albums, “Who’s In Control?” and “Stay Out of Order,” before moving to Side One Dummy Records to release “Die Hards.” These albums helped build the band’s popularity, eventually building to achieving a main stage slot on the Vans Warped Tour. Moving to the Season of Mist record label, they released their ninth album, “Resistance” in 2012.
Forming from the ashes of two D.C based bands called The Impossible Five and Colour, the first incarnation of Dead Meadow was formed by guitarist and vocalist Jason Simon, bassist Steve Kille and drummer Mark Laughlin. With their seamless combination of prime 70's heavy metal , 60's psychedelia and lyrics cribbed from Tolkien and Lovecraft, the band signed to Fugazi bassist Joe Lally's record label Tolotta Records in 2000, a mere two years after they formed. Their self-titled debut album followed in the same year, which was so acclaimed that BBC Radio One legend John Peel asked them to record a session for his evening radio show. However, as the band couldn't afford to fly to London and record it, Dead Meadow became the first band in the session's 37 year history to record their session outside of the BBC's studios.
2001 saw the release of their second album “Howls From The Hills” and after the release of their live album “Got Live If You Want It” in 2002, the band signed to Matador Records in 2003, making them labelmates with the likes of Pavement, Guided By Voices and Belle and Sebastian. Ever since then, the band have remained one of the most consistent acts in stoner rock, with seven acclaimed studio albums to their name and a live show that could knock anyone for six. They've earned the respect of the likes of The Brian Jonestown Massacre's Anton Newcombe (no easy feat) and inspired acts like Wolfmother, who reinterpreted the Dead Meadow track “Everything's Goin' On” as “Pilgrim” on their second album “Cosmic Egg”. They're still going from strength to strength over a decade and a half after forming, and for that, Dead Meadow come highly recommended.
Chaotic, unstructured and in general just very, very loud, Deafheaven are a band that ooze darkness and play the sort of music that has an overwhelming energy to it. Starting up in 2010, they are fair newcomers to the black metal niche market but have done well to secure a solid fanbase. In July 2013, Deafheaven play a set at Bottom Of The Hill in their home town of San Francisco, quite a tightly packed club that was evidently rich with atmosphere when the band came on. They made a very dramatic opening to their set as the crowd waited through three minutes of mysterious instrumental before the song 'Dream House' finally kicked in. The guitars and drums were ruthlessly repetitive in an attempt to build up as much sound as possible and lead singer (or screamer if you will) George Clarke made sure he was at his theatrical best, leaning into the crowd and yelling his lungs out when required to. There was a break between all the predictable mania when the song 'Irresistible' played but just a few minutes later, Deafheaven performed Sunbather and consequently burst everyone's eardrums. My favourite part of the night was the performance of 'Unrequited', one of Deafheaven's more sinister numbers and the band done well to capture the mood, turning the lights down as George eerily beckoned people to the front. Another thing I enjoyed was the privilege of hearing a clear-ish melody in the song despite the musical ruckus. The Cali-based band certainly tore the roof off of the place, although if you want to see them at future gigs, a pair of earbuds is advised.
Great show and venue. Like one of the old observatory shows that only filled up the first parking lot hahaha. Super mellow but at times people started to mash. They didn't start playing for a while and the set wasn't that long but it was really good. They played a cool political video before they started playing and commented on politics within their music which I thought was super cool. Overall totally worth it!
It's hard to find such explosive music from a stand-still band, but High On Fire nails their live shows flawlessly.
Get in close and let shirtless Matt Pike shred away your skin and possible your own shirt. You'll swear there are five other guitarists behind stage, but it's all the guitar mastery of Pike.
While their stage presence is stationary, their music will literally crush you with sound. High On Fire is one of those special bands to see live whether you're a fan of Sleep-era doom or Motörhead-era thrash, High On Fire has something for every metalhead to love.
High On Fire excel at hypnotic riffs from both guitar and bass. You will easily lose yourself in the music and your mind will be taken off into a trance-like journey of stoner metal and fantasy. There is always a plethora of merch with cheeky shirts (Richard Pryor shirts and stickers, Master of Reality themed shirts, and more.) There will always be some amazing prints and posters and of course their albums on both CD and vinyl.
Most shows run around $20 a ticket if High On Fire is the headliner. If you're lucky, the venue will be small and intimate (or possibly at a bar). High On Fire is a band with lasting power musically and historically speaking. Don't expect them to sell out arenas but do take every chance you can get to see this amazing and iconic band live.
Seeing Turbonegro live is more than just a concert, it’s a glimpse into a whole way of life. A culture that you wish you could understand but know you never will. One of the seminal punk bands of the 90’s, Turbonegro has been influential in many many ways. Always known for a crazy / campy costuming and lyrics that love to point out the absurdity of modern life, this underrated Norwegian powerhouse is still kicking ass and taking names.
Seeing their set two summers ago at Hellfest, I was reminded of what made these guys so popular with those in the musical know. Sporting full denim getups that would not be out of place at low rent gay bar and a variety of silly hats, plus makeup that was a mix of KISS and drag queen, this band goes to show that you cannot judge a book by its cover.
From old favorites to tracks from their very latest effort, “death punk” is alive and well and Turbonegro is rocking harder than ever. The Tubojugend, their rabid fan base was out in force, moshing and singing along with wild abandon. Great to see that such an amazing band still hasn’t lost its touch after all these years. Too many acts these days think that with some makeup and a few gimmicky costumes, you can churn out any old crap. I urge them to come see how it’s really done.
Although they’ve been going since the early 90s, the street punk band The Casualties are still going strong and gave an incredibly tight performance in their recent show, staying true to their punk origins. Although Jorge Herrera is the only remaining original member, as he’s the front man, he’s managed to maintain the majority of the groups dynamics, and their sound was if anything, improves and refreshed by the new members of the band that have gradually joined over the years.
They opened the show with their oldest EP 40 Ox, Casualty, which was great as their demonstration that they hadn’t lost sights of their roots over the years. They then performed a selection of tracks from their later work, such as We Are All We have, and Resistance. Their performance was electric, with their punk energy being driven into crazy dance moves, a lot of jumping, and even some crowd surfing on their part. Their punk outfits also added to the performance, and their enthusiasm to remain stuck in the era was contagious, and everyone was dancing around in true punk style.
The got everyone in the audience singing and dancing along over the top of them bashing out crazy talented riffs and trills on their instruments. It was electric from start to finish.
Dead Meadow are a band that genuinely go by the genre “Stoner Rock”, which does make a lot of sense as they walk out on stage to quite a half hearted applause with a half hearted response which with everything involved definitely gives me that confirmation and light bulb moment of what is happening. Their sound is definitely that of quite a droning kind of variety, with the beat being played in quite a lazy manner. It’s almost as though there is no need to break down the fourth wall and make an effort with the audience as it seems as though 90% of this entire room is a little bit under the influence! They perform music from their latest album, “Warble Womb” which is their seventh studio album. They perform songs from it such as “Rains in the Desert” and “I’m Cured” for this adoring audience who of course know enough of the words to add to this slightly odd perplexing atmosphere. I’ll put it down to an experience.