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The group formed in Niles, Michigan, US in 1959 initially calling themselves the Echoes, but later changing their name to Tom and the Tornadoes and finally to Tommy James and the Shondells (a name derived from one of Tommy’s music heroes Troy Shondell). The band’s lead singer/frontman, Tommy James was only 12 years during the group’s formation. The rest of the Shondells consisted of Larry Coverdale (lead guitar), Larry Wright (bass), Craig Villeneuve (keyboards), and Jim Payne (drums). The band’s formative years were spent in obscurity, but they managed to achieve moderate recognition in a localized region in the US midwest.
Particularly their single “Hanky Panky” faired well in Michigan, Indiana, and Illinois, but it failed to reach beyond that territory. Distressed by the single’s lack of airplay the band called it quits and the members went their own ways. James and Coverdale still kept active in the music business and started a group called the Koachmen. This group only experienced moderate success; however, during this period “Hanky Panky” was unearthed by the Pittsburgh music promoter Bob Mack and was played extensively on the air.
The popularity of the track spread like a virus through Pennsylvania and eventually reached a much greater audience. The demand of the single was so high that 80,000 unauthorized reproductions were printed to appease the craze. By the time James had heard of the single’s comeback most of the members of the Shondells were married or pursuing another line of work. James took back full control of Tommy James and the Shondells and started to tour to promote the single. He also sold the master version to Roulette Records, through which the single went on to become a No.1 hit; however, the label notoriously stiffed him on paid royalties.
James went on to re-found Tommy James and the Shondells with an entirely new lineup and in the mid 1960s was crafting the band’s signature bubble gum psychedelic sound. The band worked closely with songwriter Ritchie Cordell, who provided them with the two hits “I Think We’re Alone Now” and “Mirage”. It was James’ track “Mony Mony”, which scored the group a No.3 hit in the US and a No.1 hit in the UK. “Do Something to Me” followed this release and further pushed the band into the much hated label of bubble gum pop.
In attempts to rid the group of this “frivolous” connotation James began writing material geared towards a more experimental psychedelic direction. In 1968 the group put out their most definitive single to date “Crimson and Clover”. The song was a soft introspective pop classic, but was treated with innovative uses of phase shifters and vocoders to give it an unusual vibe. The next year the group put out a triple threat of singles including “Sweet Cherry Wine”, “Ball of Fire”, and “Crystal Blue Persuasion” (another single which sparked interest in the band’s career further down the road due to it’s use in the AMC hit drama “Breaking Bad”).
The band worked relentlessly until the infamous Birmingham, Alabama concert of March 1970. After the group finished their set Tommy James passed out and was initially pronounced dead due to extreme exhaustion and overconsumption of drugs. James recovered, but took a long break form the music industry in order to fully recuperate.
He reunited the group nearly 30 years later to record material for a potential autobiographical film based on the book, “Me, the Mob, and the Music”. Though Tommy James and the Shondells play together very infrequently these days, their music has nevertheless left a lasting impression on current pop culture. Their songs have since influenced and been covered by artists like Joan Jett & The Blackhearts, Tiffany, Billy Idol, Dolly Parton, and the Cramps.
Tommy James and The Shondells Rock the Big Apple!
Nearly three decades after rising to the pinnacle as one of the biggest and hottest names on the international rock and roll scene, Tommy James and The Shondells took a crowd full of fans - young and old – on a musical journey back in time during an awesome live performance at The Bitter End Night Club in New York City.
The crowd wanted to close their eyes and drift back decades to a time of peace, love and musical harmony. Tommy James and the Shondells did not leave any of the enthusiastic crowd without a sense of their nostalgic musical presence.
Never lost on what the audience’s ears were perked to hear, James launched into a riveting version of the 1969 billboard smash “Crimson and Clover”. Seemingly bent on not leaving a dry eye in the house, the Shondells lead Tommy into a moving live performance of “I Think We’re Alone Now”. Just when the fans were mesmerized by the slow flowing eloquence of a ballad, James jumped into the all time classic “Draggin the Line” intermingled into a nearly 7 minute attachment to “Crystal Blue Persuasion”. The audience around me sat almost in utter amazement at the talent that had spanned decades. Then to be sure the crowd left with a full appreciation of the era of love and rock and roll, James and the Shondells blended in a guitar duet and had the crowd on the edges of their chairs chanting “Mony Mony”.
A perfect venue where James engaged the crowd, walking between the tables and greeting his adoring fans. Could not think of anywhere better to see a rock and roll icon perform live than The Bitter End Night Club.
The Happy Together Tour was one that I had my eye on for a long time, even before the tickets were released, and I couldn’t believe it when the day finally came. All of the acts were absolutely fantastic, but Herman’s Hermits really stood out for me, and it seemed the entire crowd! It’s hard to believe that these guys formed way back in 1963, but boy have they still got it! They sure have.
The vibe at the show was great, everyone was energised and buzzing from the previous acts. The sound was fantastic, and the lighting added spectacularly to the performance value. When Herman’s Hermits came on stage, they were welcomed by a reasonable applause, but it appeared that the audience didn’t know what they were in for – by the end of the set everyone was jumping around, shouting, and singing along.
Nostalgia is a great thing, and hearing tracks like No Milk Today and Mrs Brow, You’ve got a Lovely Daughter had the crowd reminiscing and singing along. Even the younger members of the audience were jamming along to the catchy hooks and melodies half way through their set. This really was a gig for everyone, one not to miss!