Razorlight, The K's, und The Molotovs

For a period of time, Razorlight were one of the biggest bands in the United Kingdom. Far eclipsing everyone else who had come out of the same East London indie rock scene, even though that scene brought the world everyone from The Libertines to Bloc Party. From 2004 to around 2007, they were only second to Arctic Monkeys themselves in terms of albums sales, fan devotion, radio play and sheer popularity. However, the crucial thing to remember about Razorlight is that no amount of success, no matter how all-encompassing it was, was ever going to be enough for their frontman, one Mr. Johnny Borrell. Borrell formed the band in 2002, after ditching a solo career that he'd spent as an intense, young singer/songwriter supporting bands like the aforementioned Libertines in Whitechapel bars. Once he'd put together the first line-up of the band, and recruited NME scribe Roger Morton as the band's manager, the band made their live debut supporting The Von Bondies at Camden's Dingwalls and recorded demo versions of their songs “Rock 'n' Roll Lies”, “Rip It Up” and “In The City” shortly afterwards.

Borrell soon became something of an indie rock celebrity, thanks to his pin-up looks and habit of saying things in the press that were alternately bonkers, brilliant, disgustingly arrogant or a hybrid of all three. As I said before, no amount of success would satisfy the ambitious young rocker, so the sheer amount of critical acclaim and commercial success that they enjoyed straight out of the gate is arguably the best and worst thing to happen to Razorlight in their entire career. After the band signed with Mercury Records, their debut album “Up All Night” was released in June 2004, and was an immediate top three hit. In 2005, after their single “Somewhere Else” had crashed into the singles chart at number two, the band solidified their place as the next big thing by performing to an audience of 200'000 people at that summer's Live 8 festival in Hyde Park.

Their self-titled second album saw them ascend into the stratosphere. After its release in 2006, the band secured their first number one single in the form of “America”, Borrell's co-writing effort with their drummer Andy Burrows, and support slots with Queen + Paul Rodgers, The Rolling Stones and Oasis followed in short order. In October, they embarked on a sold out tour of arenas in the UK and the following year, they capped off their imperial phase by headlining the Reading and Leeds festivals, the biggest gigs of their career by far. Ever since then, the band have remained one of the most beloved acts of the 2000's as much for their singer's eccentricities a for their titanic back catalogue of hits and their consummate live show. For remaining relevant well past a lot of their peers, Razorlight come highly recommended.